Up All Night
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12.03 On his new release Another Day (Eusonia Records, 2011), Zach Deputy demonstrates his extraordinary ability to perform and record in multiple contexts and conveys the sensibilities of a mature singer/songwriter. Another Day offers another look at Zach Deputy and seeks to help him cross over into other audiences. Rich with ballads and mid-tempo songs, the music on this recording is best described as soulful rhythm and blues, with flavors of Al Green, Taj Mahal and Stevie Wonder emerging in the swells, changes and modulations of the music, in the voice and even in the lyrical content. The record will appeal to fans of contemporary artists like Jack Johnson and Amos Lee, but the origins of the style and feel remain classic. static1.squarespace
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12.07 Turkuaz is a 9-piece “Powerfunk” outfit from Brooklyn, NY, whose modern take on the classic funk sound has established them as leaders in the funk revolution that’s currently taking place in the genre. Blending elements of Pop, R&B, and Soul with their distinct aggressive funk core, Turkuaz sounds like the musical love child of Sly & the Family Stone and Talking Heads.  For their landmark tenth studio album, The New Mastersounds trace the New Orleans side of their funky family tree back to their roots. Made for Pleasure, due out October 2, 2015 from revered independent label, Royal Potato Family, was recorded at The Living Room, a converted wood-frame church directly across the Mississippi River from downtown New Orleans. The British foursome’s latest collection of infectious grooves is steeped in those storied waters and the rich musical history they’ve carried. 13935009_10153825793360872_5092692443204226517_n
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12.08 Childhood friends Evan Friedell, Aaron Gorsch & Packy Lunn come together as the four piece synth-pop powerhouse known as JIMKATA. Smashing together arena sized rock energy and highly tattoo-able lyrics this band can be perfectly described as huge. Lead singer & lyricist Friedell has been likened to a modern day Peter Gabriel with his emphatic, energetic performances of his vulnerable, relatable and powerful lyrics. A tasteful blend of fiery guitars, analog synthesizers and pop catchiness, JIMKATA’s main charm is their ability to have you singing along by the second verse while kicking out a hard hitting rock show. To describe the sound, it’s as if David Byrne was arm wrestling with TV on the Radio backstage at a Rush concert. unnamed